1. Regisseur van de maand - Peter Weir | BeyondGaming
9 jan 2023 · tldv; Peter Lindsay Weir geboren in 1944 in Sydney, Australie, begon direct na zijn studies kunst en recht bij een tv zender waar hij meewerkte ...
Heb ik even chanse. Peter Weir heeft 3 weken terug eindelijk een lifetime achievement oscar in ontvangst mogen nemen... Een betere introductie dan deze door Jeff Bridges kan ik me niet voorstellen. Dit zijn geen droge oscar speeches zoals je ze van de regular oscars gewoon bent. Feel the love. 🥰...
2. Peter Weir's 'Witness': A Deep, Subtle and Complex Social Comment ...
Instead of pleasing the broad audience with a sweaty, wheat-covered, sticky sex scene in the dark corner of the barn, Weir opted for a gentle, Jane Eyre ...
By Sven Mikulec One of the main figures of the Australian New Wave, Peter Weir, earned the attention of the film-appreciating community with such films as the mystery drama Picnic at Hanging Rock (1975), the renowned anti-war historical drama Gallipoli (1981) and the Mel Gibson and Sigourney Weaver-led drama The Year of Living
3. Riding the last wave: Peter Weir awarded Golden Lion in Venice
10 sep 2024 · Australian film director Peter Weir accepts the Golden Lion for Lifetime Achievement at the Venice Film Festival.
Our European film correspondent caught up with Australian film director Peter Weir, who has been honoured at this year's Venice Film Festival.
4. Towards the Centre - Crazy Dave's Peter Weir Cave
One issue you rarely tackle is the question of sex. Why is that? I don't know. I think eroticism has been present in my films and it's an area I find ...
Central to most of Peter Weir's films is the attempt to move beyond the surface strata of behaviour, beyond what is readily percieved, to a realm of experience that is equally 'real' but less tangible. In this sense his work reveals a strong impulse towards the abstract, towards the collapse of the forms of the everyday into a stream of "sights and sounds and colors...closer to music". This impulse generally belongs to the practitioners of a particular kind of experimental film, yet here it is firmly rooted in the methods of traditional narrative cinema. The sense of the strange which is evoked in 'Picnic at Hanging Rock' or 'The Last Wave' is initially a creation of a narrative arrangement that refuses to explain itself, that denies its viewers access to ready-made explanations. Like Tom (Tony Llewellyn-Jones) in the former film, the viewer might dwell on the old way: "There's a solution somewhere. There's gotta be!" But part of the pleasure of these films lies in the way in which they refuse such expectations of an easy satisfaction.
5. All 14 Peter Weir Movies Ranked From Worst To Best | Taste Of Cinema
26 jul 2017 · ... dirty and simply do what needs to be done. For Weir, the poor remain true to themselves rather than bow to stifling social conventions, a ...
See AlsoDoug RemasterAustralian director Peter Weir has had a fairly long and distinguished career as a true master of his craft, earning him a wealth of award nominations and w
6. [PDF] representation of gender-environment relations in Peter Weir's Picnic at ...
Weir(d) sex: representation of gender-environment relations in Peter Weir's Picnic at Hanging Rock and. Gallipoli. S C Aitken. Dopnrtmont of Goography, San ...
7. Peter Weir - Film - The Guardian
14 nov 2023 · Peter Weir to receive Golden Lion for lifetime achievement at Venice film festival · From mythic creatures to innovative documentaries: 10 films ...
Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice
8. Peter Weir interview - Tabula Rasa
Peter Weir: Yeah, I filmed around -- I first filmed not far from here ... sex and so on, which you didn't really want to know about and you closed ...
An interview with Peter Weir, by Kyla Ward
9. Peter Weir Gets in Gear - Crooked Marquee
8 apr 2024 · Having another adult on the side of order is imperative, but appointing Arthur parking officer and giving him a uniform isn't the same as ...
With Peter Weir announcing his retirement from filmmaking, a look back at his first feature, the pitch-black comedy 'The Cars That Ate Paris.'
